However, like the bulk of Nico's discography, Desertshore has received mainstream praise from critics in subsequent years. Similar to that of The Marble Indexupon its release the album obtained a small cult following, but was overlooked by most large publications and the public in general. Released in DecemberDesertshore received little commercial recognition. A few of the songs from the album were included on the soundtrack of the film. The back and front covers feature stills from the film La cicatrice interieure by Philippe Garrelwhich starred Nico, Garrel and her son Ari Boulogne. Like its predecessor The Marble Indexit is an avant-garde album with neoclassical elements. Power tools listĭesertshore was co- produced by John Cale and Joe Boyd. It was released in December on the Reprise label. Dschinn - Dschinn Germany, Krautrock, Garage Jeronimo - Cosmic Blues Germany, Krautrock, Madison Dyke - Zeitmaschine Germany, Krautro Kaputter Hamster - Kaputter Hamster Germany, Zyma - Thoughts Germany, Krautrock, Progress Metropolis - Metropolis Germany, Krautrock, Atlantis - Atlantis Germany, Krautrock, Blue Karthago - Karthago Germany, Krautrock, Heav Novalis - Banished Bridge Germany, Krautrock Minha lista de blogs.Desertshore is the third solo album and fourth studio album by German musician Nico. Synth 3 keycap moldĬluster - Cluster II Tangerine Dream - Phaedra Follow by Email. Kraftwerk - Autobahn Germany, Krautrock, Electronic. Quem sou eu Marcia Tunes Visualizar meu perfil completo. Rock made in Germany is one of my favorites, but my taste is very eclectic. With DeLoreanwe aim to rediscover overlooked artists and genres, to listen to music historically and contextually, to underscore the fluidity of music.During the 70's I met a magazine called Pop, which I christened German Pop, since it was of Germanic origin, I did not understand what was written in the great majority, but it was there that I met the groups that I publish here on the blog today. Seduction is always more singular and sublime than sex, and it commands the higher price. But they had missed the centre of the music neither purple-prosaic nor schlocky, Desertshore hinted at bottomless depths of angst beneath cool surfaces which gave nothing away. The album was produced in a traumatic milieu. Continuing from the pattern she laid down on The Marble IndexDesertshore featured harmonium drones prominently, bringing an Indian sensibility to her Nordic roots.
Her father was Yugoslavian while she was born in Budapest, and from Cologne to Paris and on to New York and London, she was an early global citizen - yet always also a forlorn wanderer, a nomad. Rather, Desertshore is both deeply personal and eerily disconnected, closer in spirit to the brutal, beautiful horrors of pre-sanitised European folk tales than to Sylvia Plath or The Smiths.īut Desertshore traverses this terrain in order to imply some of the warmth of the sea as well as its impersonal qualities. But unlike the drug mania and obsession with evil that propelled similar explorations for figures like David Bowie, Nico was neither interested in shock for its own sake, nor concerned with evil as excitement. Unlike Marianne Faithfull who wrote her a tribute songshe would never transmute her self-destructive lead into gold, never re-emerge to popular acclaim, never star in slightly off-color film vehicles.īut her unjustly neglected later work, in which she experimented with synthesizers and Middle Eastern traditionscontinues and extends the veins so deeply mined on the album in question here, Desertshore There are artists whose oeuvre, though not devoid of influence, seems somehow to emerge from nowhere - as if they appeared, fully formed, from another civilization.įreud explored the idea of the Unheimlichethe un-home-ly or uncanny, as something closely resembling what we know, but alien enough to give rise to a sense of the deeply uncomfortable, even to fear. Nico was always a little too strange for the strange crew, too much an enemy of her own beauty, too fucked up for fame. But the cold austerity, mythological and surrealist lyrics, and harmonium drones of The Marble Index were something alien indeed, particularly as the scungy realism of the Underground waned and hippy utopianism waxed. It was her second solo album, The Marble Indexwhich announced her true intentions. The encounter with Nico always has a quality of grimness and astonishment. Warning Sign 3.What does it say about a human being when her son tries to sell her leftover methadone at her funeral in order to finance a habit to which she introduced him? I'm Not In Love Electricity Drugs Found A Job Mind Artists Only Stay Hungry Air Memories Can't Wait Heaven DISC 2 1. Maaf kalo aing salah tempat View bbcode of deyucaesar's post.
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